“I wasn’t born Bad. My tombstone will have my real name on it, but until then I’m just gonna stay Bad.”
“I’m the Dude, man, so that’s what you call me, you know. That, or His Dudeness, ah, Duder, or El Duderino if you’re not into the whole brevity thing.”

Strikes and gutters.
Bad pulls into the first gig of the movie at “a fucking bowling alley”, adorned with giant bowling pins reminiscent of the Dude’s Gutterballs dream sequence.
Not on the rug, man.
An immediate ‘urine association’ is made at the beginning of both films: in this case a piss jug from Bad’s truck is emptied into the parking lot. We all know what happened to the Dude’s rug.
Another Caucasian, Gary.
Bad’s first female encounter is with a sullen blond barmaid, in pigtails, who takes his money (no tabs) in exchange for his first drink. Duder’s first encounter is with a bored Ralph’s checkout girl, also sporting blond pigtails, while he’s purchasing cream for his inaugural White Russian of the film.
They’ve got us working in shifts!
Tony, the leader of Bad’s pickup band for the bowling alley gig, comes over to Bad’s motel room and asks him if he would mind coming by rehearsal a bit early so they can work on some leads. ‘Leads?’ exclaims Bad, in the same exasperated voice that the auto yard cop in Lebowski uses when the Dude asks him if he has any promising leads on his stolen car.
Mind if I do a J?
No explanation required.
It’s down there somewhere. Lemme take another look.
When Bad stumbles out the back door of the bowling alley to throw up in a garbage can, his glasses fall into the can during the process. He then reaches in, picks them out and shakes them off. The Dude’s sunglasses, as we all know, also fall into the can during the infamous first bungalo scene in Lebowski, and he reaches in and shakes them off with equal aplomb.
Wouldn’t hold out much hope for the tape deck, though. Or the Creedence.
Bad is first interviewed in his motel room by Jean, while he sits on the couch eating his steak. In a similar 'interrogation' type scene, the Dude is also sitting in his living room while being questioned by the police in regards to his stolen items.
Dude’s car got a little dinged up.
Bad’s truck swerving across the highway before rolling into the ditch is eerily reminiscent of the Dude’s dipsy-doodle crash into the dumpster.
You mix a helluva Caucasian, Jackie.
In what I would deem to be the most symmetric moments between the two films, each character passes out drunk/drugged, falling face down on the bed/floor, with the same camera angle shooting up from below. (see images below)
That rug really tied the room together, did it not?
Near the end of the film, when Bad is back from rehab and playing his regular Saturday night gig at Wayne’s bar, a camera shot moves forward from entrance to bar to stage, revealing a very Dude-like rug covering the stage. That rug really tied the film together, did it not?

Female prison fight on TV vs. Logjammin on TV; Played baseball vs. Sadaharu Oh baseball shirt; Playing gigs vs. Bowling tournaments; Son he didn’t know vs. Son he didn’t know he had conceived; Polishes guitar vs. Polishes bowling ball; Bad’s manager out front of bungalow in robe vs. The Dude out front of bungalow in robe; The song ‘Fallin’ and Flyin’ vs. The Dude falling, then flying! Catch ya further on down the trail.
Posted by scotty at March 14, 2010 04:41 PMZZZZZZZZZZZ, and the site sleeps again...except for the spammers!
Posted by: Killer on June 18, 2010 06:41 PMIt's a good comparison. And thorough.
Posted by: Donny on April 15, 2010 04:59 AMThat's true! The Dude abides! Good to see the site active.
Posted by: Killer on March 15, 2010 07:57 PMit's actually 2 lives, dude.
Posted by: scotty on March 15, 2010 06:36 PMDude...get a life!
Posted by: Killer on March 15, 2010 05:45 PM